It’s hard to be the Bard – but why?

Judging by the songs available on YouTube, the Broadway musical Something Rotten strikes an interesting balance between propagating familiar pop-cultural myths about the early modern period and unpicking some of those assumptions through playful anachronism. The opening number, for example, welcomes us to ‘the Renaissance/Where everything is new’: far from a transitional period still processing and remaking its … More It’s hard to be the Bard – but why?

Nell Gwynn, John Dryden, and the Restoration of Theatrical History

Does anybody care what I want to write? — John Dryden No! — The rest of the King’s Company Hooray for Jessica Swale’s Nell Gwynn, now playing at the Globe. As well as being a sprightly, engaging feminist reclamation of Restoration theatre history, it’s also the only play I’ve ever encountered where all roads of narrative fulfilment … More Nell Gwynn, John Dryden, and the Restoration of Theatrical History